NCERT Solutions For Class 10 Hindi Kshitij — Your Complete Guide to Scoring Big
By myclass24 | Class 10 Hindi | CBSE Board Preparation
Hindi is one of those subjects that students either love deeply or find quietly intimidating. The vocabulary feels vast, the poetry feels cryptic, and the prose sometimes seems to exist in a world of its own. But here is what most Class 10 students don't realise until much later — Kshitij is not a burden. It is a carefully curated collection of some of the finest literature ever written in Hindi, and once you understand what each chapter truly says, the subject becomes one of the most rewarding parts of your board exam preparation.
NCERT Solutions for Class 10 Hindi Kshitij exist precisely to bridge that gap — between what is written on the page and what you actually need to write in your answer sheet. At myclass24, we believe that a student who understands the why behind every answer will always outperform a student who simply memorises. This blog walks you through the entire Kshitij syllabus, chapter by chapter, with context, insight, and a few tables that will make your revision faster and smarter.
NCERT Solutions for Class 10 Hindi Kshitij – Chapter-wise List
| Chapter No. | Chapter Name |
|---|---|
| Chapter 1 | Surdas Ke Pad |
| Chapter 2 | Ram-Lakshman-Parshuram Samvad |
| Chapter 3 | Aatmakathya |
| Chapter 4 | Utsah & Aat Nahi Rahi Hai |
| Chapter 5 | Yeh Danturit Muskaan & Fasal |
| Chapter 6 | Sangatkar |
| Chapter 7 | Netaji Ka Chashma |
| Chapter 8 | Balgobin Bhagat |
| Chapter 9 | Lakhnavi Andaaz |
| Chapter 10 | Ek Kahani Yeh Bhi |
| Chapter 11 | Naubatkhane Mein Ibadat |
| Chapter 12 | Sanskriti |
What Is Kshitij and Why Does It Matter for CBSE Board Exams?
Kshitij (क्षितिज) literally means horizon — and that name is no accident. The textbook opens a horizon of Hindi literary tradition, stretching from medieval saint-poets to modern fiction writers. It is divided into two broad sections:
- Gadya Khand (Prose Section) — Essays, autobiographical excerpts, travelogues, and stories
- Kavya Khand (Poetry Section) — Classical and modern poetry from celebrated poets
The CBSE board paper for Hindi Course A places significant weightage on Kshitij. Questions range from short-answer comprehension to long-form character analysis and appreciation of poetic devices. Students who have a clear understanding of both the literal meaning and the deeper theme of each chapter consistently score above 85%.
A Quick Snapshot of the Kshitij Syllabus
Before diving into individual chapters, here is a bird's-eye view of the entire Kshitij Part 2 syllabus for Class 10:
Prose Chapters at a Glance
| Chapter No. | Chapter Name | Author | Genre | Core Theme |
|---|---|---|---|---|
| 1 | Soor Das Ke Pad | Surdas | Devotional Poetry (included in Kavya) | Bhakti, maternal love of Yashoda, Krishna's mischief |
| 2 | Ram Lakshman Parshuram Samvad | Tulsidas | Epic Poetry | Humility vs. ego, respect for teachers |
| 3 | Dohe | Bihari | Doha (Couplet) | Worldly wisdom, love, nature |
| 4 | Aatmakathya | Jaishankar Prasad | Modern Poetry | Self-reflection, life's transience |
| 5 | Utth Jag Musafir | Sumitranandan Pant | Chhayavad Poetry | Optimism, dawn, human spirit |
| 6 | Yeh Danturit Muskaan / Fasal | Nagarjun | Progressive Poetry | Innocence, importance of farmers |
| 7 | Chhaya Mat Chhuna | Girija Kumar Mathur | Modern Poetry | Pain of nostalgia, present vs. past |
| 8 | Kanyadan | Rituraj | Contemporary Poetry | A mother's advice, societal expectations |
| 9 | Sangatkar | Manglesh Dabral | Modern Poetry | The unsung support system, art and sacrifice |
Prose (Gadya Khand) Chapters at a Glance
| Chapter No. | Chapter Name | Author | Genre | Core Theme |
|---|---|---|---|---|
| 10 | Neta Ji Ka Chashma | Swayam Prakash | Short Story | Patriotism, living values vs. empty symbols |
| 11 | Balgobin Bhagat | Ramvriksha Benipuri | Sketch/Profile | Simple living, unconventional devotion |
| 12 | Lakhnavi Andaz | Yashpal | Story | Hypocrisy of upper-class pretension |
| 13 | Mana Jaha Se Aate Hain Ye Log | Shivpujan Sahay | Essay-Memoir | Cultural identity, roots and belonging |
| 14 | Ek Kahani Yeh Bhi | Mannu Bhandari | Autobiographical Prose | Female identity, family dynamics, self-discovery |
| 15 | Stri Shiksha Ke Virodhi Kutarkon Ka Khandan | Mahavir Prasad Dwivedi | Argumentative Essay | Women's education, logic vs. tradition |
| 16 | Nau Do Gyarah Hona | Hemant Shesh | Narrative | Adventure, curiosity in travel |
| 17 | Sanskriti | Bhagwat Sharan Upadhyay | Essay | Culture, civilization, and true progress |
The Poetry Section — What You Really Need to Know
Poetry (Kavya Khand) trips up students the most, and understandably so. Medieval Hindi, Braj Bhasha, and even modern Khariboli can feel like different languages. Here is how to approach each major poem:
Surdas — Pad (पद)
Surdas was a 16th-century blind poet and one of the eight chief disciples (Ashtachhap) of Vallabhacharya. His pads in Kshitij capture the loving relationship between Yashoda and infant Krishna. The imagery is domestic, warm, and rooted in everyday village life.
What examiners look for: Explanation of Braj Bhasha terms, identification of vatsalya bhakti (parental devotion), and how Surdas uses nature imagery to express emotion.
Key literary device:Rupak Alankar (metaphor), Anupras Alankar (alliteration in Braj), Utpreksha (simile elevated to identity)
Tulsidas — Ram Lakshman Parshuram Samvad
This extract from Ramcharitmanas captures the tense moment when Parshuram arrives at Janakpur after Rama breaks Shiva's bow. The dialogue is sharp, witty, and layered with meaning about vinay (humility) and ahankaar (arrogance).
Lakshman's sarcastic replies to Parshuram are some of the most memorable lines in Hindi literature. The passage teaches that true strength never needs to announce itself.
What examiners look for: Character analysis of Parshuram and Lakshman, explanation of Awadhi language passages, and identifying the hasya (humor) and veer ras (heroic sentiment) embedded in the dialogue.
Bihari — Dohe
Bihari Lal wrote his Satsai (700 dohas) for Emperor Aurangzeb's father, Shah Jahan's court. In Class 10, the selected dohas cover themes of love, separation (viraha), clever observations about human nature, and the beauty of the natural world.
Each doha packs enormous meaning into just two lines. The craft is extraordinary — students who appreciate this develop a genuine respect for the economy of language.
| Doha Theme | Rasa (Emotional Tone) | Key Alankar Used |
|---|---|---|
| Nayika's beauty | Shringar (Love/Beauty) | Upma, Utpreksha |
| Viraha (Separation) | Karuna (Pathos) | Anupras, Rupak |
| Worldly wisdom | Shant (Peace/Irony) | Vakrokti |
| Nature description | Shringar | Manavikaran (Personification) |
Jaishankar Prasad — Aatmakathya
This poem is not literally an autobiography. It is a meditation on what a life story even means — and Prasad argues that the most private pain, the deepest joys, can never truly be shared. The poem is deeply philosophical.
One line that students must understand deeply:"मेरी आत्मकथा में नहीं है कोई विशेषता..." (There is nothing special in my life story...)
This apparent modesty hides a deep confidence in one's own interiority. That paradox is the heart of the poem.
Nagarjun — Yeh Danturit Muskaan & Fasal
Nagarjun is a progressive poet who writes about real people — farmers, children, laborers. Yeh Danturit Muskaan (This Toothy Smile) is about an infant's smile that dissolves all of life's heaviness. Fasal (Crop) is a tribute to farmers and the collective effort of nature and humanity.
These are perhaps the most accessible poems in the entire Kshitij syllabus, and scoring full marks in questions on these poems is very achievable with the right preparation.
The Prose Section — Stories That Carry Real Weight
Neta Ji Ka Chashma (Swayam Prakash)
This quiet, powerful story is set in a small town where a makeshift portrait of Subhash Chandra Bose stands near the market — but without spectacles. A local eye-vendor, Havaldar, keeps replacing the portrait's missing glasses with real ones from his own stock, rotating them out when customers buy them. When he dies, a local child places a pair of paper-cut glasses on the portrait.
The story asks: what does patriotism look like in daily life? It is not speeches or ceremonies — it is the small, private acts of reverence that no one notices.
Board exam tip: The story is frequently asked for character sketches of Havaldar and for explaining the significance of the paper glasses at the end. Never describe it as "sad" in your answer — describe it as thought-provoking and quietly inspiring.
Balgobin Bhagat (Ramvriksha Benipuri)
This is a character sketch — one of the finest in Hindi prose. Balgobin Bhagat is an elderly farmer who is also a Kabir-panthis devotee. He sings bhajans at dawn, gives away his entire harvest to his guru's ashram and takes back only what is given as prasad, bathes in the river every morning through winter, and at his son's death — famously asks his daughter-in-law to light the funeral pyre herself and then sends her back to her parents' home to remarry.
He breaks every social convention of his era — not out of rebellion, but out of a deep, personal spiritual logic.
Ek Kahani Yeh Bhi (Mannu Bhandari)
This autobiographical piece by the celebrated Hindi fiction writer Mannu Bhandari traces her growing up years, her father's complex personality, and how political awareness took root in her during the struggle for independence. It is one of the most honest pieces of writing in the syllabus — messy, contradictory, human.
Core themes: Female self-identity, father-daughter dynamics, the formation of a literary sensibility, political awakening.
Board exam tip: This chapter is frequently used for passage-based comprehension. Read the original text at least twice and pay attention to the descriptions of her father's moods and contradictions.
Stri Shiksha Ke Virodhi Kutarkon Ka Khandan (Mahavir Prasad Dwivedi)
Written in 1914 by the founder-editor of Saraswati magazine, this essay systematically dismantles every argument that was being used at the time to oppose women's education. Dwivedi's logic is sharp, his examples are drawn from Sanskrit literature itself, and his tone is witty and forceful.
This essay still reads as fresh and urgent — which is both impressive and sad.
Key argument to remember: Dwivedi points out that even the ancient texts that critics cite to oppose women's education actually contain examples of educated women. The opposition is therefore not traditional — it is merely habitual ignorance.
A Marks and Weightage Reference for Kshitij
Understanding how the marks are distributed helps you prioritize smarter.
| Question Type | Marks Per Question | Typical Source | Skills Tested |
|---|---|---|---|
| Passage-based comprehension | 5 marks | Prose or Poetry | Reading, inference, vocabulary |
| Short answer (character/theme) | 2–3 marks | Any chapter | Recall, expression |
| Long answer / essay type | 5–6 marks | Prose chapters | Analysis, argumentation |
| Poetic explanation (Vyakhya) | 4–5 marks | Kavya Khand | Meaning, literary devices |
| Appreciation of poem | 5 marks | Poetry | Holistic understanding |
| Character sketch | 5 marks | Prose | Detail, inference |
Poetry Alankar Quick-Reference Table
For questions on literary devices (alankaars), this table will help you revise fast:
| Alankar | Meaning | Example from Kshitij |
|---|---|---|
| Anupras (Alliteration) | Repeated consonant sounds | Surdas's Braj pads |
| Upma (Simile) | Comparison using jaise, sa, si | Bihari's nature dohas |
| Rupak (Metaphor) | Direct identity between two things | Prasad's Aatmakathya |
| Utpreksha (Fancy) | Imagining one thing as another | Tulsidas's Ramcharitmanas |
| Manavikaran (Personification) | Giving human qualities to nature | Pant's Chhayavad poems |
| Vakrokti (Irony/Oblique speech) | Saying one thing, meaning another | Bihari's wisdom dohas |
| Vishesh Okti (Hyperbole) | Exaggeration for effect | Various classical poets |
How to Actually Study Kshitij — A Practical Approach
Most students read Kshitij once, feel vaguely confused, and then try to memorize solutions without understanding them. That approach fails by the time a board examiner asks a slightly rephrased question.
Here is what works instead:
For poetry: Read the Hindi original aloud. Even if you do not understand every word, the rhythm and feeling will register. Then read the word-by-word meaning. Then read the summary. Only after that, look at literary device analysis.
For prose: Identify three things in every chapter — the main character's defining trait, the central conflict, and the chapter's lasting message. Answer every question from within this framework.
For revision: Use the tables in this blog. Before your exam, a two-hour revision using structured tables is worth more than re-reading all seventeen chapters.
For expression: Write your answers in clean, simple Hindi sentences. Do not try to sound literary in your answers — be clear. Examiners reward clarity and understanding over elaborate vocabulary.
Why myclass24 NCERT Solutions Are Built Differently
At myclass24, every solution for Kshitij is written keeping one question in mind: What does a student need to understand, not just memorize, to write a confident answer?
That means our solutions include:
- Clear Hindi explanations alongside English commentary where useful
- Literary device identification built into every poetry answer
- Character analysis frameworks for every prose chapter
- Board-specific answer formats that match what CBSE examiners actually want to see
Kshitij is a beautiful book. The students who discover that — rather than just survive it — are the ones who walk out of the exam hall smiling.